Bodies and Structures 2.0: Deep-Mapping Modern East Asian HistoryMain MenuGet to Know the SiteGuided TourShow Me HowA click-by-click guide to using this siteModulesRead the seventeen spatial stories that make up Bodies and Structures 2.0Tag MapExplore conceptsComplete Grid VisualizationDiscover connectionsGeotagged MapFind materials by geographic locationLensesCreate your own visualizationsWhat We LearnedLearn how multivocal spatial history changed how we approach our researchAboutFind information about contributors and advisory board members, citing this site, image permissions and licensing, and site documentationTroubleshootingA guide to known issuesAcknowledgmentsThank youDavid Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fThis project was made possible in part by a major grant from the National Endowment for the Humanities.
12020-04-30T18:05:30-04:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f352三越大阪,「2601年の為に」みつこし (January 1941): 14-15.plain2020-09-17T16:55:57-04:0034.70298, 135.49527Osaka.1941.Mitsukoshi Osaka, "2601 nen no tame ni," Mitsukoshi (January 1941): 14-15.1941.Mitsukoshi Osaka.Public domain.Noriko Asoimage/jpegNA-0140Still ImageKandra Polatis4decfc04157f6073c75cc53dcab9d25e87c02133
This page has annotations:
12020-04-30T18:05:30-04:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fBlack Lillian jersey glovesKate McDonald1plain2020-04-30T18:05:30-04:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f
Each collection, boxed or unboxed, embodied a network of production and distribution. If unpacked, it speaks of local labor, local conditions for production, and transportation routes. Where did all the goods that Mitsukoshi sold come from? These stories are generally left out of the usual accounts of this retailer. We might begin by asking who made Mitsukoshi's foundational commodity, textiles? Janet Hunter's article, “Japanese Women at Work, 1880-1920,” is an excellent starting place for learning more.
Below we have a gift box of food items curated for the winter season, each item carefully labeled by type. If we think of it in terms of production rather than consumption, we can begin to map out points in an Osaka-centered network in the map above. Would it look different if the gift box was offered by a branch of Mitsukoshi in Tokyo? If you look closely, you will find that the Mitsukoshi brand was on several items. What kind of arrangement did this represent? Was it just a label, or was Mitsukoshi more directly involved in maritime and agricultural production, as it was in manufacture? There are many questions to be answered when we try to reconstruct the production side of Mitsukoshi.
Below is a “map” that hints at production and circulation lines on a much broader scale. While the goods themselves were rather ordinary, the graphic composition implied that such items flowed to a Japanese center from all over the world. Was this a map-like gesture to claim dominance? Could one draw such a map for a non-imperialist power? More broadly, how might this and other product maps be used to discuss the distribution of power across regions, nations, and the world, and how these relations might shift over time?