Bodies and Structures 2.0: Deep-Mapping Modern East Asian HistoryMain MenuGet to Know the SiteGuided TourShow Me HowA click-by-click guide to using this siteModulesRead the seventeen spatial stories that make up Bodies and Structures 2.0Tag MapExplore conceptsComplete Grid VisualizationDiscover connectionsGeotagged MapFind materials by geographic locationLensesCreate your own visualizationsWhat We LearnedLearn how multivocal spatial history changed how we approach our researchAboutFind information about contributors and advisory board members, citing this site, image permissions and licensing, and site documentationTroubleshootingA guide to known issuesAcknowledgmentsThank youDavid Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fThis project was made possible in part by a major grant from the National Endowment for the Humanities.
Kim, "Faces that Change"
12020-04-30T18:06:12-04:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f352plain2021-06-10T17:18:05-04:00David Ambaras1337d6b66b25164b57abc529e56445d238145277According to Gyewon Kim, after the post-earthquake massacres in 1923, colonial Korean immigrants were issued photographic identification papers, maintained by the Kyōwakai (Concordia Society) (Kim 2016, 141).
Regarding the abductor of a Japanese woman—Nagasaki Governor report re Chen Zhaopin 1929-10
We don't know what Ogura Nobu looked like—in fact, the Foreign Ministry files on “abducted women” contain no photographs at all. Except this one: It comes to us attached to a document circulated by the Governor of Nagasaki Prefecture, Itō Kihachirō, on October 16, 1929. Titled “Sending the photograph of the Chinese abductor of a [Japanese] woman,” the document summarized the Ogura-Chen story in one or two lines and then indicated that Chen's photograph had been taken at the time of his passage through Nagasaki port.
[One must wonder how many people, especially Chinese or other Asians, had their photographs taken, mug-shot style, as they passed through Japanese ports on their way in or out of the country. I have not found such photos in my various excursions in the archives of the Ministry of Foreign Affairs. Were these discarded, either to save space or from a belief that they were no longer necessary at some point in the life of these dossiers on mobile others? Or am I simply wishing for the loss of photographs never taken, in order to pose questions to the dead archive?]