Bodies and Structures 2.0: Deep-Mapping Modern East Asian HistoryMain MenuGet to Know the SiteGuided TourShow Me HowA click-by-click guide to using this siteModulesRead the seventeen spatial stories that make up Bodies and Structures 2.0Tag MapExplore conceptsComplete Grid VisualizationDiscover connectionsGeotagged MapFind materials by geographic locationLensesCreate your own visualizationsWhat We LearnedLearn how multivocal spatial history changed how we approach our researchAboutFind information about contributors and advisory board members, citing this site, image permissions and licensing, and site documentationTroubleshootingA guide to known issuesAcknowledgmentsThank youDavid Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fThis project was made possible in part by a major grant from the National Endowment for the Humanities.
Ikuta no kuroshimi o tatte chikaku umareru Kiirun jinja
1media/NS_19290715_Detail_thumb.jpg2019-12-17T10:56:44-05:00Evan Dawley7a40080bd5bb656cee837d5befaa3ea8e7a2ac44351This is a copy of an article from July 15, 1929, describing the creation and maintenance of the Jilong Shrineplain2019-12-17T10:56:44-05:001920sNiitaka shinpō1929Evan N. DawleyEvan Dawley7a40080bd5bb656cee837d5befaa3ea8e7a2ac44
This page has annotations:
12020-07-13T21:26:39-04:00Evan Dawley7a40080bd5bb656cee837d5befaa3ea8e7a2ac44"Ikuta no kuroshimi" translated sectionEvan Dawley2plain2020-07-13T21:27:35-04:00Evan Dawley7a40080bd5bb656cee837d5befaa3ea8e7a2ac44
This page is referenced by:
1media/QingAn.jpg2019-11-18T17:21:27-05:00The Jilong Shrine: Expansion9This page explores the expansion and renovation of the Jilong Shrine over the course of several decades.plain2020-08-20T22:38:18-04:0025.13161, 121.746931895-1945Evan N. Dawley, Becoming TaiwaneseEvan N. DawleyShinto; Niitaka shinpōExpansion of the Jilong Shrine began almost immediately. Already in 1912, one year after its formal opening, individual residents and organizations began to finance new buildings that honored Amaterasu and the pioneering spirits already enshrined at the Taiwan Shrine, extending them across more of the colony. To put it another way, these Japanese deities did not move themselves, they were moved. Later, the Jilong Women's Association (Kiirun fujinkai) funded trees and part of a torii gate, whereas the Hiroshima Residents Association (Hiroshima ken dōshikai) provided stone lanterns and the Okinawa Residents Association (Okinawa kenjinkai) donated cloth. Two local businessmen provided stone lions to flank the top of the staircase leading to the shrine. In 1932, the local branch of the Imperial Veterans' Association and thirteen Taiwanese provided the financing to install a cannon on the shrine grounds. The contributions of Taiwanese reflected the fact that they, as well as Japanese settlers, carried the weight of sustaining and managing local shrines in Taiwan.
Local leadership may have been of particular importance in Taiwan, in comparison to the home islands. According to a 1929 article in Jilong's local paper, the Niitaka shinpō, "Taiwan is much different than the home islands, and especially in a port like Kiirun, where the task is not entrusted to the city government, it is the citizens who must gird themselves" to build and manage shrines. They did so through two committees created and staffed by prominent Japanese settlers and Taiwanese elites, who oversaw the support and renovation of the shrine. The presence of Taiwanese on these committees, and among the thousands of annual visitors, did not indicate the sort of Japanese-Taiwanese fusion or assimilation of the Taiwanese that filled colonialist rhetoric in the 1930s. Shinto was, in fact, a particularly poor tool for assimilation: its rites emerged out of the Meiji-era construction of Japan as a family-state, and Taiwanese were not part of the Japanese family. Thus Shinto defined an exclusively Japanese realm of sacred terrain, with its gatekeepers--the Japanese settlers--never truly allowing the entry of Taiwanese.
You have reached the end of this pathway and can either return to the Japanese occupation of Taiwan's sacred spaces, below, or move forward to the Competing Festivals pathway.