Bodies and Structures 2.0: Deep-Mapping Modern East Asian HistoryMain MenuGet to Know the SiteGuided TourShow Me HowA click-by-click guide to using this siteModulesRead the seventeen spatial stories that make up Bodies and Structures 2.0Tag MapExplore conceptsComplete Grid VisualizationDiscover connectionsGeotagged MapFind materials by geographic locationLensesCreate your own visualizationsWhat We LearnedLearn how multivocal spatial history changed how we approach our researchAboutFind information about contributors and advisory board members, citing this site, image permissions and licensing, and site documentationTroubleshootingA guide to known issuesAcknowledgmentsThank youDavid Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fThis project was made possible in part by a major grant from the National Endowment for the Humanities.
"The Fancy Urn"
12020-04-30T18:06:06-04:00Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f353“Up on the edge of the womb-shaped tomb is a fancy urn in which the bones are placed, 2, 4 or 5 years after interment. The young daughters clean the bones and put them in the urn, then place the Urn back on the altar shelf in the back of the tomb. This fairly distasteful job has made modern cremation more popular here.”plain2021-09-16T16:15:00-04:00The Gail Project1952-1953Dustin WrightCharles Eugene GailThe Gail Project; University of California, Santa CruzUsed with permissionDustin WrightDW-0009Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f
This page is referenced by:
12020-04-30T18:06:00-04:00Heritage11google_maps167932021-10-08T16:39:05-04:0026.29303, 127.7772426.21859, 127.71475GinowanNaha1952Dustin WrightGail, CharlesFutenma ShrineTamaudun Royal Mausoleum
The monuments and artifacts Gail photographed are the focus of this section (scroll to the bottom of this page to move to the “Festivals and Performances” section of Heritage). The photographs in the collection indicate that Gail visited some of the more prominent archeological and historic sites on the southern portion of the main island of Okinawa, which was also where many of the military bases were concentrated.
In the summer of 2015, Alan Christy took a group of student researchers to Okinawa, partly with the goal of identifying places where Gail took photos. After spotting the shisa from Gail's photo in a pamphlet entitled Cultural Assets of the Ryukyus, student researchers followed the lead when they actually arrived in Okinawa, where they happened upon the actual statues, now prominently displayed at the Tamaudun Royal Masoleum, adjacent to Shuri Castle.