Bodies and StructuresMain MenuWhat We're DoingOverview essayHow to Use This SiteAn orientationModulesList of modulesTag MapConceptual indexComplete Grid VisualizationGrid Visualization of Bodies and StructuresGeotagged MapGeographic IndexWhat We LearnedContributors share what they learned through the Bodies and Structures process.ReferencesReferences tag for all modules and essayContributorsContributor BiosAcknowledgementsAcknowledgementsContact usContact information pageLicensing and ImagesThe original content of this site is licensed under a Creative Commons BY-NC-ND International 4.0 License.David Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f This publication is hosted on resources provided by the College of Humanities and Social Sciences IT department at NC State University.
Subscription Information for Jikō.
12018-07-16T16:02:12-04:00Noriko Aso514ac5ef2ec49b80911e6fc9da1c0fee237ebfb926Subscription Information for Jikō in 三越, 時好 (April 1904): 70.plain2019-01-04T15:56:05-05:0035.6856, 139.77341Tokyo.1904.Mitsukoshi, Jikō (April 1904): 70.1904.Mitsukoshi.Public domain.Noriko Asoimage/jpegNA-0231Still ImageNoriko Aso514ac5ef2ec49b80911e6fc9da1c0fee237ebfb9
Mitsukoshi began publishing its own magazines from 1899, which from early on were conceived of as more than mere catalogs. Instead, they were to be prestige publications, guided by the principle Executive Director Hibi Ōsuke (1860-1931) called “scholar-commoner collaboration” (gaku-zoku kyōdō).
The first venture into the field, Hanagoromo, or “Holiday Best,” ran to almost four hundred image-filled pages. The journal included various articles and fiction along with presentation of the store's wares, and was warmly reviewed for its high quality production values in newspapers and journals of the day.
In 1903, the retailer began publishing the monthly Jikō, or “Vogue,” again filled with fiction and essays on such topics as literature, art, performance, and travel by prominent intellectuals.
In 1908, a new series entitled Mitsukoshi Taimusu (Mitsukoshi times) supplemented, then absorbed Jikō, and in 1911, the store finally settled on Mitsukoshi as the name for its flagship journal. Regular publication ceased in 1933 as a “self-restraint” (jishuku) measure in response to troubled economic times, although occasional issues still appeared and Osaka Mitsukoshi continued through to 1943.
In this and the following pathway, we will explore various types of spaces and places that appear in the pages of Mitsukoshi. In the course of presenting the store, the city, the country, and the empire to its readers, the journal's two-dimensionality can be seen to open up into three dimensionality when we take the nature of and relationships among these sites seriously.