Bodies and StructuresMain MenuWhat We're DoingOverview essayHow to Use This SiteAn orientationModulesList of modulesTag MapConceptual indexComplete Grid VisualizationGrid Visualization of Bodies and StructuresGeotagged MapGeographic IndexWhat We LearnedContributors share what they learned through the Bodies and Structures process.ReferencesReferences tag for all modules and essayContributorsContributor BiosAcknowledgementsAcknowledgementsContact usContact information pageLicensing and ImagesThe original content of this site is licensed under a Creative Commons BY-NC-ND International 4.0 License.Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fDavid Ambaras1337d6b66b25164b57abc529e56445d238145277 This publication is hosted on resources provided by the College of Humanities and Social Sciences IT department at NC State University.
Portrait of smiling man
12018-04-23T13:40:27-04:00CHASS Web Resources398fc684681798c72f46b5d25a298734565e6eb823When Gail Project members took the photos to Okinawa to share with people there, some remarked that the man in the picture was "definitely Filipino." This could indeed be accurate, given that many Filipinos did follow U.S. military labor networks from the Philippines to Okinawa.plain2018-12-05T18:16:44-05:00The Gail Project1952-1953Dustin WrightCharles Eugene GailThe Gail Project; University of California, Santa CruzUsed with permissionDustin Wright6d413a48d8bd1bdac9b40c6c99f258b065f86dda
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12018-04-23T13:40:20-04:00Okinawan Adults6Gail's portraits of Okinawan adultsstructured_gallery2018-12-03T19:58:11-05:00
These images differ from those in the "Daily Life and Work" page in that here, labor does not appear to be the major focus of either Charles Gail or the people in the photographs. Instead, Gail seems particularly interested in trying to capture the portraiture (attire and physical characteristics of the people themselves), which he often described in writing on backs of the images.