Bodies and StructuresMain MenuWhat We're DoingOverview essayHow to Use This SiteAn orientationModulesList of modulesTag MapConceptual indexComplete Grid VisualizationGrid Visualization of Bodies and StructuresGeotagged MapGeographic IndexWhat We LearnedContributors share what they learned through the Bodies and Structures process.ReferencesReferences tag for all modules and essayContributorsContributor BiosAcknowledgementsAcknowledgementsContact usContact information pageLicensing and ImagesThe original content of this site is licensed under a Creative Commons BY-NC-ND International 4.0 License.Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fDavid Ambaras1337d6b66b25164b57abc529e56445d238145277 This publication is hosted on resources provided by the College of Humanities and Social Sciences IT department at NC State University.
12018-04-23T13:40:25-04:00CHASS Web Resources398fc684681798c72f46b5d25a298734565e6eb822"This is a seed store. The old gent has made himself a pair of bifocals by taping two pairs of glasses together. He is using the far vision through the top pair only now, but back to his newspapers he will look through both. Notice the cans in the back made out of old beer cans. The tin shps make most of their products out of empty beer cans, funnels, pencil boxes, and cartons & boxes of all sizes. You will notice he smokes Camel cigarettes with an ivory holder, and the dragon ash tray is Okinawan pottery. Oh, on the extreme left at the level of his shoulder is a funnel made of old Shlitz cans."plain2018-12-05T13:28:22-05:00The Gail Project1952-1953Dustin WrightCharles Eugene GailThe Gail Project; University of California, Santa CruzUsed with permissionDustin Wright6d413a48d8bd1bdac9b40c6c99f258b065f86dda
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12018-04-23T13:40:20-04:00Daily Life and Work22Images of daily life and labor in early 1950s Okinawaplain2018-12-03T19:01:59-05:0026.12358, 127.66581Dustin Wright
Many of the photos in the collection show Okinawans engaging in their daily labor practices. In this section, we see a display of labor and daily life that, upon first glance, appears to be quite romantic. In some images, the people in the photos are far enough from the lens to render them as simply props for a much grander appreciation for the landscape. People are smiling for the camera as they continue with their endeavors. Did Gail patronize these shops, which might explain the beaming smiles from some of the shopkeepers? Does the image simply capture a relationship - that of the militourist and the Okinawan vendor - that was already an important economic system in early 1950s basetowns throughout the Pacific? It is safe to assume that this was not the first time that the Okinawans in the pictures had interacted with an American cameraperson. If some images depict people smiling at the lens, others show people either indifferent or even annoyed at the cameraman.
Some photos in the "People" page, which completes this module, could very well have been incorporated into this section on daily life and labor. This is because in Gail's images of occupied Okinawa, it is apparent that there was no distinct line between work and leisure. Here, I have chosen to include those photos in which both photographer and photographed seem primarily focused on economic activity.