Bodies and StructuresMain MenuWhat We're DoingOverview essayHow to Use This SiteAn orientationModulesList of modulesTag MapConceptual indexComplete Grid VisualizationGrid Visualization of Bodies and StructuresGeotagged MapGeographic IndexWhat We LearnedContributors share what they learned through the Bodies and Structures process.ReferencesReferences tag for all modules and essayContributorsContributor BiosAcknowledgementsAcknowledgementsContact usContact information pageLicensing and ImagesThe original content of this site is licensed under a Creative Commons BY-NC-ND International 4.0 License.David Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f This publication is hosted on resources provided by the College of Humanities and Social Sciences IT department at NC State University.
12018-04-23T13:40:46-04:00CHASS Web Resources398fc684681798c72f46b5d25a298734565e6eb823Notice the tattoos on her wrist, an old marrying custom."plain2018-12-05T18:13:42-05:00The Gail Project1952-1953Dustin WrightCharles Eugene GailThe Gail Project; University of California, Santa CruzUsed with permissionDustin Wright6d413a48d8bd1bdac9b40c6c99f258b065f86dda
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12018-04-23T13:40:20-04:00Okinawan Adults6Gail's portraits of Okinawan adultsstructured_gallery2018-12-03T19:58:11-05:00
These images differ from those in the "Daily Life and Work" page in that here, labor does not appear to be the major focus of either Charles Gail or the people in the photographs. Instead, Gail seems particularly interested in trying to capture the portraiture (attire and physical characteristics of the people themselves), which he often described in writing on backs of the images.