Bodies and StructuresMain MenuWhat We're DoingOverview essayHow to Use This SiteAn orientationModulesList of modulesTag MapConceptual indexComplete Grid VisualizationGrid Visualization of Bodies and StructuresGeotagged MapGeographic IndexWhat We LearnedContributors share what they learned through the Bodies and Structures process.ReferencesReferences tag for all modules and essayContributorsContributor BiosAcknowledgementsAcknowledgementsContact usContact information pageLicensing and ImagesThe original content of this site is licensed under a Creative Commons BY-NC-ND International 4.0 License.David Ambaras1337d6b66b25164b57abc529e56445d238145277Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5f This publication is hosted on resources provided by the College of Humanities and Social Sciences IT department at NC State University.
"The key around the dog's neck"
12018-04-23T13:40:46-04:00CHASS Web Resources398fc684681798c72f46b5d25a298734565e6eb823"No one except the members of the family can get access to the key around the dog's neck."plain2018-12-05T16:02:49-05:00The Gail Project1952-1953Dustin WrightCharles Eugene GailThe Gail Project; University of California, Santa CruzUsed with permissionDustin Wright6d413a48d8bd1bdac9b40c6c99f258b065f86dda
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12018-04-23T13:40:20-04:00Okinawan Children8Children in Gail's Photosstructured_gallery2018-12-05T16:14:17-05:00Dustin Wright
Gail often photographed represent, perhaps, a face of Okinawa that did not directly experience the war but was obviously reared in the poverty and material deprivation of the postwar. These images were taken only six or seven years after the war and the lingering effects are plainly visible: clothing made from repurposed military uniforms; children wearing military boots several sizes too big if they wore shoes at all; children who appear, as in the photo below entitled "Little fellow's head," to not quite know what to make of the white man behind the camera.
We have to wonder whether or not Gail was in uniform as he scoured the countryside looking for photogenic people and and striking landscapes. Certainly, whether uniformed or not, that he was a white man would most likely have let those he encountered to assume that he was a member of the occupying military, a figure both awkwardly out of place and yet simultaneously inscribed with colonial privilege and power. In some of the photos in this section, it is clear that the children are trying to avoid the camera's gaze, Gail himself, or both. In 1955, only three years after Gail took these photos, a 31-year-old American raped and murdered 6-year-old Nagayama Yumiko, a crime that roiled Okinawa and served to exacerbate fears of American military men.