Sacred Geography and the Everyday
Temples are the earthly homes of deities and the most socially significant nodes of intersection between the different types of geography. Although they are clearly physical structures, because they house manifestations of divine beings, they take on a sacred aura; that is, they become—or rather, societies define them to be—sacred places. The map below indicates the locations of the most important temples in Jilong, and readers should zoom in and pan around in order to also see the locations of the main Jilong temples, and the parent temples and other locations in Japan and China to which the Jilong institutions held important connections. The key institutions that readers will visit include the Qing'an, Dianji, and Chenghuang Temples, for the islander/Taiwanese in Jilong; the Jilong Shrine, Kubōji, and Kōzonji for the Japanese settlers; and a fusion of Buddhist traditions, the Lingquan Temple. In all cases, the deities are moved from location to location in conjunction with human migration. When Chinese settled in Taiwan, they carried their gods with them and built them new homes in new lands. When Japanese colonized Taiwan, they built Shinto shrines and enshrined particular deities within them; even though the kami were everywhere, they had to be invited to Taiwan, installed there by the colonial settlers. With very few exceptions, such as a shrine in Tainan to Zheng Chenggong or Koxinga, the seventeenth-century half-Japanese merchant/pirate/Ming loyalist who drove the Dutch East India Company from Taiwan and installed his own regime there, Japanese settlers did not enshrine local kami, rather they imported familiar kami from their homelands.
When people perform everyday devotional acts—burning incense or ghost money, or offering food, at a Taiwanese temple; invoking a kami with sake or a written prayer at a Japanese shrine—they open pathways to sacred realms and invite divine intervention. Annual rituals, such as the summer Ghost Festival referenced in the hungry ghosts scroll on the preceding page (Zhongyuan jie or Yulan Penhui in Chinese; Bon matsuri or O-bon in Japanese), or the temple festivals examined later in the module, also bring together sacred and profane space. During such events, rituals open gates in the boundaries between worlds and allow sacred geography to spill into the physical and act upon it.
These practices and institutions reinforce an earlier point: sacred space as imaginative geography is a manifestation of power. In the setting of colonial Jilong, building and renovating temples, and performing festivals, were not simply acts of faith. They were tools, or weapons, in a much larger struggle over the physical geography of Taiwan and the identities of its residents.
You have reached the end of this pathway and should follow the route below back to the landing page, from where you can move into the rest of the module.
