Bodies and StructuresMain MenuWhat We're DoingOverview essayHow to Use This SiteAn orientationModulesList of modulesTag MapConceptual indexComplete Grid VisualizationGrid Visualization of Bodies and StructuresGeotagged MapGeographic IndexWhat We LearnedContributors share what they learned through the Bodies and Structures process.ReferencesReferences tag for all modules and essayContributorsContributor BiosAcknowledgementsAcknowledgementsContact usContact information pageLicensing and ImagesThe original content of this site is licensed under a Creative Commons BY-NC-ND International 4.0 License.Kate McDonald306bb1134bc892ab2ada669bed7aecb100ef7d5fDavid Ambaras1337d6b66b25164b57abc529e56445d238145277
Baskett, The Attractive Empire
12018-07-03T19:10:09-04:00David Ambaras1337d6b66b25164b57abc529e56445d23814527721plain2018-07-03T19:10:09-04:00David Ambaras1337d6b66b25164b57abc529e56445d238145277Michael Baskett, The Attractive Empire: Transnational Film Culture in Imperial Japan (Honolulu: University of Hawai’i Press, 2008).
On Japan-China "goodwill films," see 79-84.
This page has tags:
12018-04-23T13:40:47-04:00CHASS Web Resources398fc684681798c72f46b5d25a298734565e6eb8ReferencesCHASS Web Resources1References tag for all modules and essayplain2018-04-23T13:40:47-04:00CHASS Web Resources398fc684681798c72f46b5d25a298734565e6eb8
This page is referenced by:
12018-04-23T13:40:21-04:00The transwar romance of "Japan-China goodwill"4plain2018-07-11T16:31:00-04:00In contrast to the inverted gender-national relations depicted in the accounts of abducted women in Fuqing, the wartime imperial state worked to promote a popular cultural image of "Japan-China goodwill" in which a masculine Japan overcame the ill-founded resistance of a feminine China to realize a true romance between nations and prevent its sabotage by [communists/agents of foreign powers].
These desires for Japanese-Chinese goodwill and romance did not disappear in 1945. [HERE add discussion of Koizumi novellas and film.] "The Heroine of the East China Sea" (1959), [about a Japanese naval officer and a Fujianese woman pirate chief who fall in love and escape to Japan in the chaos at the war's end.]
Such fantasies faded, however, with the rupture in Sino-Japanese relations and Japan's full integration into the US-dominated Pacific and Cold War regime. The ideational distance between the two countries was reinforced by modernization theory, which celebrated Japan's "successful" non-communist development in contrast to the chaotic failures of China's communist revolution.